and featuring Tom Hanks cutting that familiar cardiganed form, strikes the same chords as last year’s documentary except with a cynical, broken journalist serving as a surrogate for our cynical, broken times.is based on a 1998 Esquire profile of Rogers by journalist Tom Junod, but many of its details are straight from the Neighborhood of Make-Believe. Below, we break it all down.
Instead, he was “assigned the story about Fred because one of the editors at Esquire thought it would be amusing to have me, with my stated determination to ‘say the unsayable,’ write about the nicest man in the world.” Still, like Vogel, Junod did have a reputation for being hard on subjects after he wrote an Esquire cover story dancing around the subject of Kevin Spacey’s sexuality, “a story of coy ill will that fooled no one.
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