. The ideas of faggotry that I’m exploring in this play are about affect and history—people who manipulate certain histories through affect in their work. I knew from the work I’d seen that Jack was that person.Jack Ferver is a New York–based writer, choreographer, and director. He currently teaches at Bard College, and is a guest faculty member at New York University.
The title of each scene in the play alludes to a different “queer ancestor.” For Act I, scene 5, it’s the French poet Arthur Rimbaud.with a group of young actors last December. JF: The workshops were exciting. I don’t lean in when I know that a dancer can pull it all off; I lean in when there’s risk, and I might even choreograph some of those risks into it. Formally, this is not an easy play. There’s a lot ofhere, not only in where it goes narratively, but also how it’s written, and I think that tension needs to exist throughout the work. When I made the opening dance on those young performers, going for the attempt was more interesting for me than it being perfect.
A Boy’s Company Presents: “Tell Me If I’m Hurting You,” A Jacobean Revenge Tragedy, A Pageant of My Woes, JH: What does it look like to take the problem of a plié or the problem of a lift and apply it to two young boys? Looking at all of those histories is really interesting for us, because a big thing about queerness is the idea of entanglement.
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