'We Never Had an Ending:' How Disney's 'Black Hole' Tried to Match 'Star Wars'

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“A journey that begins where everything ends…” That was the tagline on the poster for 'The Black Hole,' Disney’s $20 million sci-fi gamble in the post-Star Wars game, essentially spelling out its reality in the marketplace in 1979

. Miller approached the veteran director to take a crack at creating the studio’s first PG film, and Nelson immediately passed on it. “It’s not for me. I don't like it. It’s not very good,” he said. But Miller was persistent.

Nelson’s pal Arthur Hiller warned him that Schell could be a “monster” on the set, but he was determined to land the tempestuous actor. Schell required him to trek out to Vienna, where he was directing, for a face-to-face meeting. Once Nelson arrived, Schell pulled a bait-and-switch and suggested that the production cast Jason Robards as Reinhardt instead.

“They had a list of people they were looking at, probably all the usual suspects that Disney had in their films over the years in my age group,” remembered Bottoms. “I do recall sitting with Gary and Ron at the Mouse Factory, at the executive offices upstairs, a happy, cheery place. And I thought, ‘I can do this. You guys have a commissary, right? How cool is that?’ Then I thought, ‘Oh, the fun of working on something I could share — should I ever have children, I would have made a Disney movie.

Nelson reported that after the disaster haircut session, “She got in her car to drive home, and she got into an accident on Sunset Boulevard and ended up in the hospital. So we had to recast, and we cast Yvette Mimieux the next day. So all that trauma and everything, getting her hair cut, was for naught. It was a kind of a shame.”

“The entire show was pretty tight,” remembered Bottoms. “The AD’s had storyboard books that they’d refer to and go shot by shot. They had a plan. They needed to have that plan.” “Robert was great,” added Bottoms. “We had a good camaraderie. We got along cool. I learned a lot from Robert about finessing, graciousness. He was always being a card about certain things, kind of a funny guy, a New York kind of guy. Just a joker.”

“Borgnine was everybody’s uncle or brother,” explained Bottoms. “He was just the most gregarious person, took great interest in everybody. He was a super social guy. He was like Hollywood royalty in a way, the longevity of career. He could be counted on.”star was also a bright spot among the principal cast.

After Durant is killed and McCrae is saved from being lobotomized into a worker drone , our heroes head back to The Palomino to make their escape. A sudden storm of orange meteors envelops the Cygnus, setting the stage for the film’s bravura special effects moment: a massive ball of fire crashing through a main corridor of the ship, barreling towards our heroes.

 

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