Wayne Thiebaud, an artist whose images of cake, pie and other mass produced desserts suggested Pop art but whose loose, expressive brush strokes and pointed use of light eventually proved him to be a misunderstood Realist painter, has died. He was 101.
In the 1950s he began to make oil paintings of bakery goods and children’s toys to capture the “insistent reverie” they evoked for him. Lushly painted cupcakes and gumball machines brought back memories of his idyllic past. “I’m one of those lucky people who had a terrific childhood,” Thiebaud said in a 1995 interview with the San Francisco Chronicle.
“After awhile there was a kind of insistence and integrity about them that was undeniable,” Stone said. After the first, sold-out show in 1962, he continued to represent Thiebaud for more than 40 years. Despite his protests, his name seemed permanently attached to Pop through the 1960s. It wasn’t all bad luck. “Thiebaud’s diner-and-deli still lifes caused him to be misunderstood into fame,” wrote critic Robert Hughes in a 1985 article for Time magazine.
Some critics suggested that the blank expressions on faces in Thiebaud’s art forced the attention back upon the technical aspects of his art. “We begin to realize that Thiebaud has been painting about art, especially realist art,” wrote critic Henry Seldis of Thiebaud in a 1977 article for the Los Angeles Times. The detached expressions recall works by the French realist painter Édouard Manet, Seldis wrote.
“Thiebaud has been an anomaly for so long that it hardly seems to matter anymore,” Hughes wrote in his review of the show for Time magazine in 2001.
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Wayne Thiebaud, painter of lush colors and textures, dies | AP NewsLOS ANGELES (AP) — Artist Wayne Thiebaud, whose luscious, colorful paintings of cakes and San Francisco cityscapes combined sensuousness, nostalgia and a hint of melancholy, has died. He was 101. His death was confirmed in a statement Sunday by his gallery, Acquavella , which didn't say where or when Thiebaud died. “Even at 101 years old, he still spent most days in the studio, driven by, as he described with his characteristic humility, ‘this almost neurotic fixation of trying to learn to paint,’” his gallery, Acquavella, said in a statement. I wrote my first art history paper on him. Loved his work! bokeh.............
Source: AP - 🏆 728. / 51 Read more »
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Source: AP - 🏆 728. / 51 Read more »
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