Nick Feldman of Wang Chung and Martha Davis of The Motels share memories of the 1980s before spring tour kicks off. Wang Chung have joined forces this spring with hitmakers The Motels, Naked Eyes and Men Without Hats for the "Abducted by the 80s" Tour, which is guaranteed to be filled with a ton of hits and memories from one of the most unforgettable decades in music history.
I think 'Arista Records' was starting to doubt us and maybe we should start writing songs with other writers," he said. "And that's when Jack came up with 'Dance Hall Days.' And I thought that this was an amazing song. Our manager played it for Geffen Records and they loved it. So he persuaded Arista Records to let us out of our contract. And thank God they let us go. We signed immediately with Geffen and suddenly our career was off on a whole new trajectory.
"I'll never forget those days before 'Dance Hall Days' because they were really difficult," he said. "We had a few minutes of almost fame with our first album and some thought that was going to be it. But then suddenly 'Dance Hall Days' was racing up the charts and our lives were never going to be the same. It was a massive lesson for me that you have to believe in what you're doing. I mean having a hit all over the world was not lost on us.
The song was originally recorded for "Apocalypso," the band's then unreleased third album, but had a much different instrumentation. In an interview, Davis said in a 2001 interview withthat "The record company heard it and they hated it and refused to release it." But with the new network MTV launching in 1981, The Motels' video was in heavy rotation and along with all the adulation also came the trappings of fame that Davis says she's happy to have made it through during the excess of the 1980s.
"We couldn't help ourselves," Feldman said. "We went to Friedkin's editing suite and it was a mind-blowing experience for us to hear the music that we sent him placed into the movie. It was just incredible. And I think that really inspired us to take it further, so Jack went away and wrote 'To Live and Die in LA.' We sent that and another song to him and he just absolutely loved it. He even shot a whole sequence in the movie just for 'To Live and Die in LA.
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