’s industry section, Venice Production Bridge – celebrates its 10th anniversary this week.
Diallo, who has been working on his documentary since 2016, will focus on finding “Mouramani”: a lost film, reportedly directed by Mamadou Touré in 1953. “[Venice chief] Alberto Barbera was interested in that kind of cinema and we decided to create something, the first program dedicated exclusively to African and Arab cinema. For many of these films, it’s their first step into the international market.”
“We see new players coming in, for example from Saudi Arabia. They invest a lot in development and production, not only when it comes to feature films, but also immersive content, which we focus a lot on in Venice. Unfortunately, in Africa, things haven’t changed that much.” “I want to make a film about religion without judgement, without condescension. I want to make a film about miracles,” observed the helmer.
Source: News Formal (newsformal.com)
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