officially opens the event tonight — is “one of the best directors of contemporary cinema. We have been courting him to convince him to come back to Venice after his debut in 1982, and in competition in 1988 with the film that really launched his international career. Then, then he followed a different path, and was very often in Cannes due to the timing of his films.
Expanding on the Netflix situation — Venice was the first festival to put one of its films in competition with 2015’s— Barbera noted that apart from Cannes, “every other festival regularly admits in their competitions films produced by Netflix.” But in France, “You can’t ask Netflix to produce a film commercially and wait 20 months before showing it.” He called the window “a long and unacceptable period of time for any platform that is also a producer.
Cinema/the theatrical experience will only survive if studios stop pushing streaming and selling their movies to streaming platforms which all it is basically is an application, that's not cinema at all.
Cinema will survive if studios stop pushing streaming which is basically an app, that's not cinema.
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