The Big Picture Guy Ritchie is no stranger to the tactful art of blending incredible history with his bombastic brand of action, but The Ministry of Ungentlemanly Warfare ratchets it up to a whole new level.
It’s during this meeting with “M” that Gus meets another key historical figure: Ian Fleming who watches on with rapt attention as the rambunctious flirt sniffs out expensive liquor, pinches fine cigars, and calls the shots in a room full of shirts that would happily send him back to jail.
Even looking back at Ritchie’s own filmography, Ungentlemanly Warfare is leagues ahead of Operation Fortune: Ruse de Guerre, The Man from U.N.C.L.E., and yes—the film version of The Gentleman. With this film, it seems that Ritchie has perfected the recipe for outlandish action, garnished with well-meaning humor. But that’s not to say that Ungentlemanly Warfare isn’t without faults.
As part of the plan, Mr. Heron introduces Marjorie to the sinister Heinrich Luhr who runs the whole operation on Fernando Po. She masquerades as a gold dealer keen to make a deal with Luhr, all the while trying to seduce him into complacency so they can enact their plan with as little interference as possible.
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