A middle-class couple who can’t have children turns to an adoption agency for a baby, only to find their happiness threatened years later when their son’s biological mother shows up and demands him back. Though the story is based on a novel by mystery writer Mizuki Tsujimura, is a true Naomi Kawase film: a lush visual reworking of parental angst and despair, offset by frequent interludes of communing with that great healer, Mother Nature.
Although there is more plot for a mainstream viewer to grab hold of than in Kawase’s early work, narrative is not where the film is at. Any mysteries in the original novel are set to rest early by editing that jumps back and forth in time and anticipates the young mother’s return.
The film turns an emotional corner when Satoko and Kiyokazu’s baby arrives — a healthy, bouncing boy they name Asato. Mrs. Asami asks if they want to meet the birth mother. They do. A teenage girl with a bowed head appears before them in tears with a letter for the baby so he won’t forget her. Her parents cower in shame in the background.
By the time Hikari’s belly begins to show, it’s too late for an abortion. Her mortified parents pull her out of school and try to cover up. The girl is in shock over Takumi’s spineless abandonment, and she ends up in Mrs. Asami’s home for unwed mothers, which rather unbelievably is located on a paradise island off the coast of Hiroshima. There she passes the last months of her pregnancy gazing out to sea and mutely reflecting on life.
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