Photo courtesy of Tourmaline @tourmaliiine., a split screen shows the imagined everyday lives of the citizens in Seneca Village, a 19th-century free Black community in upper Manhattan that was destroyed in 1855 to make way for Central Park, One on side, children dressed in white clothing skip around a fire pit, while their mothers, seated on a stoop nearby, look on.
Onscreen, one woman’s face keeps popping up in both frames: that of Mary Jones, a Black trans woman born in 1803 who lived in Seneca Village as a sex worker and outlaw. The film follows her life within a transphobic and racist system, and the power she finds within herself despite persecution.
The impact of her addition to MoMA settled in with the 36-year-old artist rather abruptly. “It just hit me yesterday,” Tourmaline says over the phone a couple days before the premiere. “I was like, ‘Oh wow. This project is life-affirming.’”
Source: Entertainment Trends (entertainmenttrends.net)
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