Toronto: ‘Mother Couch’ Director Niclas Larsson Talks Manipulating Cast, Audience for Narrative Twists

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“A powerful tool for directors is to actually misdirect,” the Swedish filmmaker says when getting Ellen Burstyn and Ewan McGregor to imagine themselves in a remote furniture store for his mind-bending debut feature.

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That has her three estranged children – David , Gruffudd and Linda — questioning with varied trust and disloyalty why their mother won’t return home. Aided by eccentric furniture store managers played by Russell and Abraham, David, with equal turns of gentleness and aggression, asks why his family is in the furniture store at all before their mind-bending journey builds unexpectedly to a chaotic, yet cathartic climax.

Larsson becomes a master of illusion and confusion to create a movie where what the audience assumes up to a certain point about the furniture store and its occupants must be completely reappraised at the end ofbecomes a near-relation to other legendary misdirection movies liketalked to the Swedish director — known for his award-winning Volvo and Mercedes-Benz TV commercials and short films before bringing his...

 

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