Armando Iannucci
The next big decision comes in how to condense Dickens’ roughly 600-page novel into something fleet and fast-paced enough to prove Iannucci’s point about how funny he considers the writer to be. Once you get past the instant hilarity of his character names, much of Dickens’ humor comes through in the sheer long-windedness of his descriptions, for which Iannucci must find tight, cinematic equivalents.
While the material’s literary origins confer a certain respectability to the experience, so does Iannucci and longtime co-writer Simon Blackwell’s penchant for twisting simple phrases into complex, fun-to-untangle Sunday-crossword-puzzle clues. For example, when asked if he’s homeless, Mr.
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