on May 24 at age 83, lived at least three lifetimes. There was the vocal phenomenon who was always too powerful a force to be contained as one half of a duo with her abusive ex-husband in the Sixties; the solo powerhouse who took her rightful place in the pantheon of rock in the Seventies; and the pop and R&B hitmaker whose career soared to even greater heights in the Eighties.
to Ike was an abusive nightmare, but on this early R&B gem, she paints one of the most enticing portraits of monogamy imaginable. Even so, it’s hard not to hear the undercurrent of doubt — or even a gentle threat — in the way she belts, ““River Deep, Mountain High” the Ike and Tina Turner Revue at a Hollywood club at a time when their recording career had stalled, following a handful of R&B hits in the early 1960s.
British duo of Terry Britten and Graham Lyle, “What’s Love Got to Do With It” was rejected by Cliff Richard and Donna Summer before Tina Turner got her hands on it. She was 46 and seen by much of the industry as a decade past her prime, but she infused every word of the song with heartache and pain drawn from her real life. Millions connected to it, and the song topped charts all over the world, solidifying one of the great comebacks in rock history.
, but ultimately felt uncomfortable singing the lyrics since they’re from the perspective of a stripper doing what she needs to do to get paid. A couple of years later, he offered it to Tina Turner, and the rest of Dire Straits recorded it with her . “I’m your private dancer, a dancer for money,” she sings, reaching deep into her gut to hit the high notes. “I’ll do what you want me to do.
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