will be revisiting albums that came out before the magazine was founded in July 2002 and assessing its current cultural relevance. This week, we’re looking at the movie soundtrack often credited with sparking the widely-panned explosion of pop-country in the 1980s—an album full of time-worn country cuts that feel more like a collage than a compilation of songs shouldering the burden of one genre’s commercial downfall..
At this point, the “tractors, trucks, beer and women” critique of country music is a tried-and-tired lambasting that has grown way too thin and, in actuality, buries the lede on what’s actually hindering country music in contemporary spaces: a cocktail of fervent sexism, racism and general anti-LGBTQIA+ sentiments.
Instead, it’s Jimmy Buffett’s “Hello Texas,” the Charlie Daniels Band’s “The Devil Went Down to Georgia” and Linda Ronstadt and J.D. Souther’s “Hearts Against the Wind” that make’s western costume look and sound all the more real. Hell, throw Kenny Rogers’ “Love the World Away” in there, too.
Nothing screams American Dream more than a Jersey-born Travolta attempting to make his mark as a bonafide Texan , but his celebrity at the time was at such an all-time high that no one probably even noticed or cared that his Southern accent sounded so bad. Winger, a Clevelander after my own languid, Ohio heart, does most of the convincing heavy lifting in this movie when it comes to even scratching the surface of an authentic portrayal.
Source: Entertainment Trends (entertainmenttrends.net)
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