The Big Picture On a recent episode of the Collider Dailies podcast, Perri Nemiroff and Steve Weintraub chatted with guest, Tim Miller, the director behind the first Deadpool movie and Terminator: Dark Fate. Miller is an avid comic book fan and a passionate filmmaker, as well as a producer and writer, which earned him an Academy Award nomination for a short titled Gopher Broke in 2005.
MILLER: I would, but I feel the need to qualify because there are movies, and I'm not gonna name them because it'll be shitty, where– I really love story and I love spectacle, but I love story more, so when I go to the movies, I expect that the story will be a fulfilling, well thought out version of whatever story is meant to be told. Sometimes that's not the case, but that doesn't mean that the movie doesn't have merit.
PERRI: I'll build on my first question to you. Do you have a favorite recent superhero movie, and also why does that movie stand out from the large majority we get now? PERRI: You do the exact opposite of me. You barricade the door, I purposely crack the door open, just waiting for, like, a bathroom light to randomly turn on Paranormal Activity-style.
MILLER: Well, so much of that depends on who you are, right? Generally speaking, a lot of people go, “Fuck that episode,” with the fighting pit creatures, which is “Sonnie’s Edge,” directed by Dave Wilson. That was kind of the most memorable one from the first season. We actually did some analysis about which stories to lead off with because I really thought that the order was very important going into the season.
STEVE: I definitely feel like it's been changing. You've done three seasons, has Netflix ever really told you how the show does, or is it sort of like, “Well, you've gotten to make three seasons, I guess it must be doing at least okay?” I will say one. If you haven't seen Astartes by this guy named Syama He's a New Zealand artist. He did a series of Warhammer movies called Astartes. It was, like, amazing.STEVE: You obviously run Blur Studios and I'm curious what is going on over there that you're excited about?
MILLER: Yeah, I have. This is Blur – you can't see much of it, but it's a big 25,000-square-foot warehouse space right across the street from the new Amazon building, and it used to be bustling with 120 artists, and we're not requiring people to come back to work because people don't want that. I personally miss that. Maybe we have, I don't know, maybe 15 or 20 people in here right now.
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