This vivid novel of mental illness captures the power of living on

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“What Kingdom,” by Fine Grabol, is set at a residential facility meant to transition residents out into the world.

The mad have long haunted the borderlands of our fiction. Consider the attic-bound wife in “Jane Eyre,” the deluded ranters of Dostoevsky and Gogol, or all of Kleist’s lunatics, driven crazy by their dogged adherence to absurd principles. These figures can be comic or tragic, jesters or men who have fooled themselves into believing they’re the kings.

These precisely are the concerns of “What Kingdom,” the Danish poet Fine Grabol’s prizewinning debut novel. Grabol’s unnamed narrator lives on the fifth floor of a psychiatric housing facility, in the temporary accommodations for young people transitioning back into society following periods of hospitalization.

Her floor of the residential facility is meant to transition residents out into the world, teaching them routines that will place guardrails around their instability. They shop and cook for one another, sing karaoke, go on outings, play in a band. After periods of confinement, they need to learn to be comfortable in their own rooms, with their own things, managing, for the most part, their own time.

 

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