came in 1995, at the Cirque d’Hiver in Paris for the 20th anniversary of his namesake line. The couture show featured a parade of pan-generational supermodels—Jerry Hall, Veruschka, Naomi Campbell, and Kate Moss among them—along with go-go dancers, a striptease by Patty Hearst, a performance by James Brown, and an appearance by Tippi Hedren, who walked the runway in an avian black satin dress inspired by her leading role in Alfred Hitchcock’sThe Birth of Venus.
HEDREN: Your show from 1995 was the pinnacle of the idea that a fashion show could be an immersive, opera-like experience. MUGLER: You know, that’s why I was so pleased to pay homage to you with that show, because that’s such an inspiration for young people. It’s important to realize who you are and be happy. You have to give love to be in love, otherwise it’s comedy.MUGLER:It showed me that there are no limits. When you do intense stretching the way I do, it’s sort of a meditation. And as time progresses, you realize it’s infinite.
HEDREN: Do you feel like we are limited by what is considered normal or natural when it comes to the body? MUGLER: I never say I’m a fashion designer. I’ve always felt like a director, and the clothes I did were a direction of the every day. There are women with small waists and big shoulders, so it’s not much of an exaggeration to me. The shoulders were always important. In dance, I learned about the position of the neck, and the way you should stand.
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