plays a recently widowed tech mogul who invents a cloth camera/sensor/imaging thingamajig that enables the bereaved to watch their dead loved ones decaying in the grave inViewers don’t even need to have read or heard the director explaining how the film is partly inspired by his own feelings of grief for his late wife, because that nugget of authentic feeling is palpable throughout.
Karsh’s business also owns the Toronto cemetery where Becca is buried, which, in a further departure from most other graveyards, has a swanky restaurant in its main building, one that looks like the kind of upmarket café you’d find attached to a museum. It’s there that Karsh meets stylish woman Gray Foner for a first date in the opening scene, which, judging by Gray’s expression of bemusement and barely stifled horror, doesn’t seem to be going well.
Karsh brings in his former brother-in-law Maury , a cyber whiz who installed Karsh’s security systems as well as an online digital assistant named Hunny to help him investigate. But can twitchy Maury be trusted?
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