on an early May Zoom from Arizona, a day before a Stones gig. “It’s thrilling still, even after all this time. They always get together for at least three or four weeks to rehearse for a leg of the tour. No costumes, no stage set, no smoke and mirrors, no audience of course. They arrive separately in their own cars … They say hi and pick up their instruments, and somehow, they just start to play.”
Woodroffe’s perspective on the Stones, of course, is starkly different to how the rest of the world sees the group. For therun, concertgoers will watch Jagger on the production’s nearly 46-foot-tall digital screens, as he and his bandmates traverse around a stage that’s approximately 180 feet wide by 65 feet deep. In total, there are close to 2,300 square feet of high-resolution LED screens.
“In one minute, it’s a very simple, geometrical building; nature takes over the next; and then it’s sort of a,” Woodroffe says. “We can change the way the stage looks in a virtual way.” Still, Woodroffe says he worked with the band to connect everything into a cohesive statement.; they’ve played four of them at concerts so far. By preparing for more, the crew could be ready for the band to surprise them at a moment’s notice and keep the production running seamlessly.
Traditionally, Woodroffe worked closely on the look and feel of a tour starting about half a year before the first gig with Jagger and drummer, who died in 2021, as well as Stufish founder Mark Fisher, who died in 2013. This time, after starting with Jagger and Winkler in the fall, Woodroffe ran the concept by Richards and Wood, who gave input.
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