The Reclamation of Jessie Baylin

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'When I started writing this album I was a hologram of myself, to be honest. I had lost who I was. My life was an abyss for a minute.' How grief, reflection, and a little trickery made ‘Jersey Girl,’ JessieBaylin's best album yet

has been on the periphery of fame for more than half her life. At 19, she had the “it” factor as a singer-songwriter in L.A. A publishing deal with Sony, an audience with famous musicians like Justin Timberlake and John Mayer. At 22, she was engaged to a drummer, Nathan Followill, who she met at a music festival. At 25, they were married the same year his band, Kings of Leon, were conquering arenas around the world on the strength of hits like “Sex on Fire” and “Use Somebody.

“I was just like, ‘Maybe I should just let the dream die,’” Baylin says over Zoom from her pristine kitchen counter. The house she shares with her family is a literal treehouse, sitting three stories above the ground in a canopy of trees in Nashville. It’s plain to see how easy it could be to gaslight yourself in a beautiful home like that. What do you have to complain about? You’re married to a famous rock star. You have two beautiful kids. Your life is a dream.

I have to be honest. At the beginning of this process, I was like, ‘What the hell am I doing?’ but now I’m like, ‘This is wonderful.’ I feel so much better about this today than I did back a decade and longer ago. I’ve done the work. Now I get to live it and that feels good. Just to be in a room with Burt felt pretty powerful. He knows exactly what he wants — it’s almost alarming. [.] You know, he’s in his 90s. I just wanted to make him happy. But it ended up being so beautiful. H

 

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