‘The Last Stop in Yuma County’ Review: An Accomplished Pressure-Cooker Thriller That’s Like a Tarantino-Fueled Noir, 30 Years Later
‘Kingdom of the Planet of the Apes’ Review: The Franchise Essentially Reboots with a Tale of Survival Set — At Last — in the Ape-Ruled Future But the distinctive post-QT element is the brashness, the way the film refuses to take anything it shows you all that seriously. In the ’40s and ’50s, many noirs, in their under-70-minute hardboiled sleaze way, were deadly serious movies: tales of romance and fatalism that played out like a Greek tragedy trying to beat the clock.
That’s when Beau and Travis walk in. They’re the bank robbers, and it doesn’t take long for them to figure out that Charlotte has already made them. Galluppi has an exceptional eye for actors, and he scores a real coup by casting Richard Brake as the alpha crook. As Beau, Brake is tall and gaunt, with burning eyes, a rotter who looks like Steve Buscemi crossed with David Byrne crossed with a human rattlesnake who’s a lifelong junkie. Yet he speaks in a voice that’s bone-dry with logic.
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