On a blustery Christmas Day, Gawain accepts the challenge laid down by the hulking knight of the title, a tree-creature sort of being who strides into King Arthur’s court suggesting a game. He dares one of Arthur’s knights to strike him with a sword, and then, a year later, offer themselves up to be struck in the same way by the Green Knight. It doesn’t sound like a very fun game, especially when brash Gawain beheads the knight rather than, say, nicking him on the cheek.
On his journey to fulfill his bargain with the Green Knight, Gawain essentially experiences all of life, compacted. He’s battered and bruised; he loses and wins; there is romance and the stickier rush of lust; loneliness and kinship. All the while he marches closer to the abyss, toward the great end of things. It is a metaphor for all of us, our grasping for meaning as we stumble toward the only certainty that exists.
Lowery gives mighty shape to his ideas and to the particular physical circumstances of Gawain’s plight. He renders a medieval world in which the primeval still whispers, reminding us that our very distant ancestors had their own ancients. It’s a boggling thought, just how vast humanity’s past truly is, despite our relatively recent appearance on the planet.
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