The Graphic Designers Defining the Aesthetics of Black Lives Matter

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The design community experienced its own reckoning during the Black Lives Matter movement.

For 19-year-old Quentin Swenke , the impetus to post his initial graphic was entirely personal.“I was lost, and didn’t know what to say,” Swenke says, speaking on the phone from the home of his friend and business partner, another graphic designer named Dominique Roberts. “So I made a graphic based on what was on my heart at that time: ‘We cannot stay silent about things that actually matter.’”

“We saw what happened with Ahmaud Arbery, Breonna Taylor, so many people over the years,” Swenke said. “It was the last straw for me as a designer, and it was a wake-up call—my design must have activism built into it.” “I realized that people were going to see the tragedy that took place and there would be two options: either people were going to say, ‘Wow, that’s really sad,’ and move on with their lives, or people would be so enraged that they would feel the need to do something,” Roberts explained. “And usually, the people who take the route of doing something become overwhelmed and paralyzed. They don’t know what to do.

 

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