An uncertain and meandering work that struggles to craft a compelling story when intermixed with ineffective commentary, The Forgiven is doomed by its own tepid adherence to trope that robs the experience of any teeth. This is a shame as, despite the poor way it ends up being constructed, the promising pieces are all there.
RELATED: Jessica Chastain and Ralph Fiennes Wrestle With Murderous Guilt in ‘The Forgiven’ Clip [Exclusive] Reluctantly, David agrees and sets in motion what will be the rest of the film. As he makes the two-day journey to the village, McDonagh juxtaposes the tragic procession with the debauchery of the uncaring Westerners partying at the lavish home. It is there that Jo begins to take part in a fraught flirtation with a charming yet callous man named Tom. Played by a perpetually mesmerizing Christopher Abbott, the two bounce off each other with an ease that disguises their shallowness.
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