“The Great,” Hulu’s new series starring Elle Fanning and Nicholas Hoult, is another of Australian screenwriter Tony McNamara’s takes on the 18th century.
Panties, as in pantyhose. “It’s so important that the cast is comfortable in those costumes,” she goes on. “It enables them to feel who the character is. For me, it’s really important that it is a collaboration. It was just so lovely working with Elle and Nick.” “Jumping from that to the 18th-century world, my job is still to help, in a collaborative way, actors find their characters through their clothes,” she adds. She began shooting “The Great” in August 2019 and wrapped in February. “That doesn’t change, whether it’s a period job or modern job, but [there] is a slight difference when you’re making costumes.”
Fryer introduces a modern feel by incorporating fabrics that weren’t necessarily of the period, she says, and found inspiration while, for example, strolling the shop floor at Harrods in London. “She starts off as a young woman who arrives in this unsavory court,” explains Fryer. Most striking throughout the show is the way the costume designer reflects the character’s journey in the color palette of the clothes she wears. “The light colors in the beginning is how she’s portrayed, an idealistic, romantic, whimsical young woman arriving in Russia [from Poland] for this arranged marriage.
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