'The Buccaneers' Review: Apple TV+'s Edith Wharton Adaptation

opens with a wedding that almost doesn’t happen. As Conchita frets in her family’s New York mansion, Lord Richard pulls up late with a breakup letter in hand, worried his free-spirited fiancée won’t “fit” with his uptight English family. It’s only when Nan , Conchita’s maid of honor, reminds Richard that nothing matters but their love that he rips up the note and goes ahead with what looks to be the most lavish nuptials of the century.

But what might on another show play as a testament to the power of love will ultimately prove on this one to be a warning of its limitations. With its poppy soundtrack, headstrong heroines and endless galas, the comparisons tomight be her worldlier cousin — more skeptical and more pragmatic, but with an intriguing sharpness that feels all her own.

Initially, creator Katherine Jakeways paints the cultural differences with a broad brush that does neither side any favors. The Brits undeniably come off worse: Their iciness is exemplified by Richard’s mother complaining of her daughter-in-law’s labor pains that “English women have been getting on with the job for generations with no need for any silly fuss.

Even so, anyone with a taste for historical romance is likely to be at least a little charmed from the start. Frøseth’s guileless warmth renders Nan’s not-like-other-girls attitude more endearing than annoying, and the pilot, directed by Susanna White, rewards her with not one butmeet-cutes: one with Guy , who first sees her scaling the side of a building, and another with Theo , a wealthy duke she mistakes for a poor artist.

Against such harsh realities, the Americans frequently discover that the instruction they’ve received all their lives to secure respectable matches not only fails to protect them, but leaves them vulnerable to dishonor.

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