The past year’s exhibitions took us from Roman Egypt to contemporary Germany, from pillars of French modernism to an American self-taught late starter, and more. Two stellar shows,at the Philadelphia Museum of Art , offered complementary insights into the French master’s methods and thinking. The former surrounded “The Red Studio” with the actual works represented in the celebrated 1911 view of the artist’s recently completed workspace.
The presence of the actual works portrayed in the painting allowed us to track Matisse’s path from 1898 to 1911, while the proximity of the real thing to the fictive image sharpened our awareness of reinvention and alteration.
Source: Entertainment Trends (entertainmenttrends.net)
The problem with modern art is that it’s clearly one big money laundering scheme
Red Room at Moma and Crosscurrents at the Met get my vote
So nothing from Hunter?
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