Gabrielle and Louis meet in 1910 Paris, 2014 Los Angeles and again in 2044 inGabrielle and Louis meet in 1910 Paris, 2014 Los Angeles and again in 2044 inThere's no easy way to sum up the work of the brilliant and maddening French writer-director Bertrand Bonello. In recent years, he's made a, is a hangout movie about a group of French youth carrying out terrorist attacks around Paris.
The third story is the most elusive and intriguing. It's set in 2044, when the world is run by AI. Gabrielle plays a human who, to join the work force, must undergo a process that will rid her of her emotions. This segment, with its shades of, explains the framework of the entire movie: It turns out that the 1910 and 2014 sections are remnants of Gabrielle's past lives, now being purged from her subconscious.
Bonello doesn't tell the stories one at a time; he jumps around and among them. He's tracking the sources of human alienation and anxiety through the ages, asking why, in every era, we find ways to disengage from life and the people around us. The movie is especially insightful about how technology evolves. Each chapter features an artificial human companion of sorts: a line of baby dolls in 1910, a talking doll in 2014, a robot friend in 2044.
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