From their stage at Coachella to Lightning in a Bottle , festival producer the Do Lab’sis a distinction few fail to see. For those who stumbled upon the diverse music selections across LiB’s six stages, 14 interactive areas, and “more art cars than ever before” , not getting drawn in several directions by the ears was like resisting a force of nature.
His massive breadth of experience around stages has sharpened his capabilities playing on them — and, on Friday from 4:00 p.m. to 5:30 pm, when he effortlessly dropped ace tracks like Steve Cole’s “Groove Monster,” Denny’s extended “Radgie” mix, and Bontan’s “Stutterman” on the underground house and techno thumping Junkyard Stage, it was arguably a milestone in the festival’s history of supporting behind-the-scenes badasses.
Through an onslaught of nostalgic throwback hooks from Sublime’s ‘92 reggae classic “Waiting For My Ruca,” Moby’s “Porcelain” and Foo Fighters’ “Everlong,” J.Gill’s set was a reminder to us all that sometimes the best moments at music festivals come from clever spins on familiar tunes we never expected to hear.
And that’s just another day at the office for Lubelski. During his electric performance, he dipped deep into his vault of unreleased material and complemented his own beats with timeless anthems like Metro Area’s “Miura” and Aphex Twin’s “Windowlicker.” Seeing all the flailing limbs he unleashed during his set, it isn’t any wonder why stage smashing crews like Desert Hearts, Dirtybird, and Crosstown Rebels all have laid claim to him as one of their own.
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