said on the red carpet, adding that she and Paige had a “pretty instant connection” upon meeting on set in 2018. Paige was equally affectionate on Instagram, describing herself and Keough as “tweedle dee and tweedle dumb.” She also posted closeups of her pink shrug, sheer jumpsuit, and heart-shaped nipple pasties, as well as Keough’s emerald shrug, striped trousers, and purple crop top.
Keough’s character, a dancer and sex worker named Stefani, is a deliberate case study in cultural appropriation, complete with stylized baby hairs, long acrylic nails, and cornrows. And then, of course, there’s the way she talks. Keough worked with a dialect coach on a “blaccent” that Bravo hoped would make viewers squirm. “There was this idea of like, ‘This story’s coming from the ghetto,’” the directorat Sundance. “And Aziah was like, ‘Actually, I’m from the suburbs.
As Paige summed it up at the festival, “[Keough]’s in blackface the whole movie.” And Paige wasn’t always convinced it would work. “Originally, when I read the script, it wasn't by Janicza and it wasn't by Jeremy O. Harris,” Paige
Source: Entertainment Trends (entertainmenttrends.net)
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