By Lindsey Bahr | Associated Press
Park is just one of hundreds of filmmakers putting finishing touches on passion projects and making the sojourn to Park City this week, looking to make a splash at the first in-person edition of the storied independent film festival in two years. Lana Wilson directed the much-anticipated Shields documentary “Pretty Baby,” in which Shields reflects on her experiences from child model to teen superstar and beyond, including her complex relationship with her mother, Andre Agassi and the time Tom Cruise publicly criticized her for taking antidepressants.
Erik Feig, the founder and CEO of Picturestart, joked that he’s been going to the festival for “a billion years.” It’s where he saw “Thirteen” and hired Catherine Hardwicke to direct “Twilight,” and, years later, “Whiplash,” beginning a relationship with Damien Chazelle that would lead to “La La Land.” Sundance also is where he saw “Napoleon Dynamite” and “Little Miss Sunshine” for the first time, too, and others that “feel iconic and have been part of the cultural zeitgeist forever.
“It plays into the fantasy that I had as a young woman, like, can I run away and be a different person,” Moshfegh said. “I still kind of have that, especially in cinema because we watch movies in order to run away and be different people.”
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