The stitch patterns were collected by embroidery artist Zain Masri and a group of volunteers who have digitized motifs stitch by stitch since 2021. Now, when a user finds a pattern they want to make, they can download PDFs or other file types with each individual stitch plotted out on a graph.
Masri wanted to collect embroidery patterns from books in one place, where anyone could find and use motifs for their tatreez work — especially younger Palestinians whose families may not practice embroidery due to historic mass displacement. The traditional method of sharing tatreez orally through generations doesn’t work if the physical garments a child would learn from have been lost or destroyed.
Artists who have taken up the task of protecting tatreez and sharing cultural knowledge approach the challenge in different ways. On Tirazain, for example, Masri has been intentional about including the geographic origin of specific designs — Palestinian embroidery motifs can often be traced back to specific regions or villages, and historically, one could look at a dress and see where its wearer was from.
“This art form has been traditionally passed through oral history, and exile, dispossession, war — all of these things has caused this oral history to be compromised or broken for many families,” Ghnaim says. “I have been given the privilege of facilitating that oral history, because this isn’t documented in any book.” Above all else, Ghnaim says, virtual spaces can facilitate the communal practice of embroidery that so many Palestinians have been deprived of.
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