’s road trip across America in 1971, David , several years into his career but still, in terms of image, a bit of a leftover hippie rocker, finds himself performing at a convention of vacuum-cleaner salesmen. It seems his manager back in England had failed to secure him a U.S. work visa. So even though he’s supposed to be touring the States, he can’t give concerts, can’t perform on television or radio.
You’d be surprised how often the rock-biopic-without-the-music approach has been used in recent years. It has fueled dramas about figures like Morrissey and Jeff Buckley, and in at least one case it worked spectacularly well: In “Jimi: All Is by My Side,” André Benjamin played Jimi Hendrix in 1967, during the months Hendrix spent in London before he came to prominence by blowing the world away at the Monterey Pop Festival.
The Bowie we meet, who sports a cool long-brimmed hat and likes to wear a beige paisley “dress” that resembles something Liberace would have favored as one of Robin Hood’s merry men, thinks that he’s breaking boundaries, but actually he’s still playing it safe. He hasn’t gotten in touch with his inner rock diva of insanity yet.
As Bowie, the cultivated English ingenue, goes on the road with Ron Oberman, the Jewish record-company guy played with blustery coarseness by Marc Maron, the two drive across the heartland in Oberman’s beaten-up Ford Ranch Wagon, and “Stardust” comes to seem at moments like a glam-rock “Green Book”…only minus the glam rock.
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