The film’s producers at France’s indie outfit Andolfi are hoping to pick up prizes in Venice, in kind or in cash, that will allow them to fill their funding gap and wrap up post-production by the end of the year, with the goal of returning to Cannes in 2021.
“There’s this feeling of loss of identity, loss of self, loss of home. Today, it may be relevant to people worldwide, who struggle with the idea of home, of constructing an identity in this globalized world,” says the young filmmaker. While political disillusionment lies at the core of his work, Dagher still actively takes part in anti-government demonstrations: “Of course, I’m always out on the streets whenever there’s a protest,” he asserts gently.“It’s difficult because I don’t necessarily believe they will, but at the same time I can’t give up without at least trying. It’s difficult, however, and when you feel that your life is at risk, some people don’t want that for themselves or their kids.”He pauses.
Source: News Formal (newsformal.com)
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