Shōgun VFX Supervisor On Accurate Brutality, Game Of Thrones Comparisons & Building 1600s Japan

SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Summary Roughly 11 years after the project was first announced, Shōgun was released to critical acclaim and viewership records that instantly made it one of FX’s most successful endeavors to date.

Michael Cliett: When we built Osaka, 99% of the city is built in visual effects, of course, but our art department—Helen Jarvis, our production designer, and the art department—built really accurate renditions of the merchant houses they had in 1600 Osaka. They built that little merchant district, so the first thing we did was we Lidar scanned all of that, and used those scans to then build various different structures.

On Shōgun’s 900-Page Research Bible, Attention To Realism & One Exception Close Shōgun’s characters had real-life inspirations, but the show as a whole went even further to accurately depict feudal Japan. This went beyond VFX to costuming, production design, and more.

The Shocking Realism Of Episode 4’s Cannon Scene One of the most shocking moments in Shōgun was the brutal surprise ending of episode 4, in which Nagakado turns cannons on Ishido’s men. The massacre is as surprising as it is devastating, and the VFX department did not shy away from the gore of the moment. Cliett shared a simple reason why, and discussed how the scene was made:Michael Cliett: Yeah, absolutely.

Michael Cliett Shares His Thoughts On Shōgun’s Game Of Thrones Comparisons Viewers and reviewers alike have compared Shōgun to HBO's Game of Thrones. Never mind the lack of White Walkers, Shōgun is both brutal and full of intrigue, as is the adaptation of George R. R. Martin’s book series. Cliett is honored, but he is quick to point out the uniqueness of Shōgun as well.

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