announced on Wednesday, Stiller and Erickson broke down the events of the finale, discussing Lumon’s “alpha plan” and more to be explored going forward. on spec more than 5 years ago. How much did the Season 1 finale end up aligning with how you envisioned the show might play out, if it were to get made?: Well, it’s funny. It was definitely a long, many-step process getting it here. When Ben first read this, it was just a pilot…something that I had submitted largely as a sample script.
That was the main idea behind it, and then in editorial, we’re just thinking a lot about how to jump back and forth between the stories, and Geoff Richman, who edited it, we looked at different ways of different language. We came up with this sort of flutter cut idea, this fritzing idea that, in our minds, related to the severance chip, and as a way to intercut between the storylines, too. It was just [coming up with] ideas like that to help tell the story.
DEADLINE: I imagine one of the biggest questions you’ll be grappling with in Season 2 is how the knowledge the innies have gleaned of their lives in the outside world will affect them when they’re suddenly trapped back at Lumon. If Dylan’s explosive reaction in Season 1 to learning he has a son is any indication, Season 2 is likely to be quite dramatic.
DEADLINE: Will we learn more soon about the black goo from the title sequence that Irving has seen in visions and painted at home?: Yeah. There’s obviously the element that we see in Episode 8 that connects us to that imagery that he’s been seeing. But as it relates to the hallway that he’s been painting, I think that hallway is also sort of an unanswered question.: To Ben’s point, we’re going to come to understand more about what outie Irving is doing and how this process worked.
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