Serviceable Sci-Fi Spinoff Orphan Black: Echoes Doesn’t Break Much New Ground

was truly groundbreaking sci-fi television. Featuring an unbelievable performance from Emmy winner Tatiana Maslany, who played anywhere from four to eight characters in a given episode, the series was a taut conspiracy thriller that also explored themes of sisterhood, found family, and scientific ethics. It was addictive and felt genuinely fresh and unexpected in a television landscape that desperately needed more genre shows like it.

are likely going to be disappointed that it never quite manages to reach the heights of its predecessor.takes place in Boston in 2052, several decades after the end of the original. Echoes of the parent series abound in dialogue, in set dressing, and through several of the characters we meet.

This time around, the story follows Lucy , a woman who wakes up disoriented in a random room unable to remember who she is. Confused and frightened, she demands answers from an unnamed doctor who’s hovering nearby, before discovering that she is a “printout,” an artificial person created using the same human-tissue-printing-method and copied from an existing medical scan.

But when her past comes back to haunt her—in the form of an unidentified thug trying to drag her back to the lab that made her—Lucy sets off on a journey to find out who she is, where she came from, and why she keeps having a disturbing nightmare about a younger version of herself covered in blood and holding a knife.

Hawes, for her part, is excellent and given plenty of meaty material to work with, though many viewers will likely wishhad gone further in exploring her character’s connection to the original series in terms of the choices she makes in this one. Weirdly, it’s Ritter who’s given the least to do here, despite being marketed as the series’ lead.

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