By contrast, as their titles suggest, “Conversations with Friends” and “Normal People”, Sally Rooney’s first two books, focused on everyday aspects of life—friendship, romance, growing up—which they chronicled in limpid but unflashy prose. Both were acclaimed by critics, became bestsellers and have been adapted for television. In Ms Rooney’s stories, normality is not merely her subject matter. It is also a virtue to be cultivated, perhaps even the key to happiness.
The story vibrates to their romantic havering. But compared with the work of Jane Austen—which Ms Rooney admires, and in which courtship drives the plot and the climax is marriage—her tales of messy modern love follow improvised patterns. Sex, which she describes unsqueamishly and arrestingly, is a beginning not a destination, and tends to lead to an enervating stasis .
Ms Rooney, an avowed Marxist, has implied in interviews that these views reflect her own. The problem is not that the ideas are right or wrong, but that they are predictable. The exchanges lack dialectical fizz as Alice and Eileen generally agree with one another.
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