for the horror genre’s premier found footage anthology series—not that it exactly has a lot of franchise competitors—which had not seen an entry since 2014’s disappointingseemingly killed off the concept. That film was unbalanced even by anthology standards, but the lopsidedness was clearly intentional:primarily functions as a delivery device for the astoundingly creative, gory and bonkers short “The Subject” by director Timo Tjahjanto, which dominates the entire center of the film.
The highlight here, at least to most viewers, is likely to be Flying Lotus’ “Ozzy’s Dungeon,” positioned in the middle of the feature as its anchor. In its opening moments, it’s immediately clear the kind of mid-’90s parody we’re engaging in here, on the set of a kids’ game show in the style of.
Which brings us to the issue of recycled themes and gimmicks, a problem that particularly afflicts Maggie Levin’s “Shredding” and Tyler MacIntyre’s “The Gawkers.” In the former, a band of ‘90s pop-punk skater bros sneaks into the ruins of a former underground music club where a previous band died a terrible death, only to be confronted by the undead revenants of those femme rockers.
The other segments come off a little better, and are quite a bit different from one another. “Suicide Bid” is a well-executed and conventional little thriller about a sorority pledge tricked into undergoing an extreme hazing ritual, ultimately delivering the fully justified revenge the viewer will no doubt want to see.
Eh. I haven’t seen the earlier versions, but just scrolling the hashtag, seems people really liked this one.
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