explores themes of power, corruption and hypocrisy as he traces the fateful final days of the Roman philosopher and dramatist that followed his souring relationship with the despotic Emperor Nero.in the title role, Tom Xander as Nero and an ensemble cast that includes Geraldine Chaplin, Louis Hofmann, Mary-Louise Parker and Julian Sands.
Schwentke says he was most intrigued by the stark contradictions of Seneca, who he describes as a “complex character and a paradox.”He was famous as a stoic philosopher, yet among the wealthiest men in Rome. “He was a money lender; he possessed countless properties and businesses and, also, though renowned as a moral philosopher, he served one of Rome’s most notorious tyrants. The irony of a moral philosopher who was rich and getting richer raised concerns even in Seneca’s own time.
The film is very much in that tradition, he adds. “It’s an acid satire on Seneca but also on the elites and their inability to deal with despots, tyrants; their inability to stand up to them; how they crumble in the face of them. But it’s also of course the tragedy of an artist and a philosopher who pimped himself out to a corrupt tyrant and became complicit in murder and rampant immorality.”
Bocephus
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