is a professional New York City bouncer imported to Missouri to work at the most raucous road house bar in the Show Me State? The kind of film in which the hero does tai chi, reads philosophy and coos Zen koans like “Pain don’t hurt,” and the bad guy utters bon mots like, “I used to fuck guys like you in prison?” Direct by the appropriately named Rowdy Harrington, this finely aged slice of cinematic Velveeta remains the perfect action flick to watch on basic cable at 3am, features what’s easily...
Frankie owns a road house down in the Florida Keys. A biker gang regularly shows up and wreaks havoc. It’s bad for business, and she’s decided that Dalton is the guy who can help her fix the problem. After a long, dark night of the soul, he takes her up on the offer. Arriving in the fictional seaside burg of Glass Key, Dalton is greeted by a young teen who runs the local bookstore.
That first stand-off in the parking lot of the road house — named Road House, because what else would you call the joint? — telegraphs the tone that Liman and Gyllenhaal want to establish. The bar’s staff ranges from a daffy bartender to an apprentice bouncer . A band is always playing some of sort of tropically flavored version of a blues, zydeco, gospel and/or rock staple behind a wire fence onstage.
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Source: Entertainment Trends (entertainmenttrends.net)
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