LONDON — London darling Richard Quinn has been noticeably absent from digital fashion week calendars, choosing to keep rather quiet ever since the pandemic hit.
Not so fast: Quinn might have chosen to take a step back from the spotlight as the world battled with COVID-19 restrictions, but he has been working behind the scenes to develop new product categories, even more glamorous eveningwear — and a big production film that captured the same emotional intensity as some of his physical shows.
A group of feline creatures dressed in head-to-toe latex and bondage accessories crawl out of a floral-print London taxi and into the streets of a dark, rainy Soho. But all of a sudden flashing lights and upbeat music turn on and Quinn’s models, sporting larger-than-life hairstyles and voluminous floral dresses, start waltzing and dancing around.
“We wanted to really push it and go against the pajama. We wanted to go bigger and more extravagant than we ever did before with loads of embroidery and prints. If we were going to have print it would be a printed room, a printed piano — everything on steroids,” said Quinn, who wrote the script himself over lockdown.
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