‘Richard Jewell’ Scribe Billy Ray Accuses Atlanta Journal-Constitution Editor Of Using Disputed Scene To Cloak Its Role In Ruining Hero’s Life

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RichardJewell scribe Billy Ray accuses Atlanta Journal-Constitution editor of using disputed scene to cloak its role in ruining a hero’s life

, Scruggs family friend and attorney Edward Tolley exclaims “That is complete horse ” about the quid pro quo scene in the film. “If she’s being portrayed as some floozy, it’s just not true.”

Ray said he believes in the film’s premise, and argues that the newspaper didn’t consider enough what might happen to Jewell when its front-page story established him as the FBI’s prime suspect, at a time when the investigation was nascent and the bureau was still gathering leads. In her deposition, Scruggs said she did consider that as the paper was deciding whether to publish that first story she co-wrote Ron Martz.

“In subsequent headlines they said his possible motivation was that he could be a sociopath. Then of course, they compared him to Wayne Williams. How was Richard going to get a fair trial in the court of public opinion if the only paper that mattered was destroying him?” he added.profile reported that the journalist “had allegedly gotten a tip from a close friend in the F.B.I., got a confirmation from someone in the Atlanta police.

Bert Roughton was the editor on duty whom Scruggs phoned after a source informed her that investigators were looking into Jewell as a potential suspect. In September, after reading Ray’s script, he wrote indetailing that he’d “been in the newsroom for a few years by the time Kathy Scruggs arrived. Until then — 1986 — it had been a stodgy and drab, shirt-and-tie kind of place”; and that she was “an explosion of color, energy and expletives.

What is whispered into Wilde’s ear by Hamm in the movie “was actually a long complicated conversation” from multiple sources that Scruggs pieced together from various pieces of intel,” Roughton said.

 

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This is not about what the Atlanta constitution journal did. It’s about the screenwriter allegedly making up a scene about a real person trading sex for a story.

Journalists got zero integrity and AJC shows that 20 years later

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