” is a wickedly funny, fiendishly clever, and surprisingly prescient murder mystery. It succeeds as both a brilliantly constructed puzzle-box of a whodunit, offering up a big reveal that’s extremely satisfying, and as a incisive comment on the class divisions and prejudice that are roiling America. If that sounds medicinal, fear not. “” is great fun in the tradition of Agatha Christie’s “Murder on the Orient Express” or Anthony Shaffer’s “Sleuth.
The film has lots of references to the current Trump-based political climate. Critics have been picking up a lot on the political parts —Why was it important to you to include those political elements? What about the decision to center the story on Marta, the daughter of an undocumented immigrant who serves as the moral compass of the film? Was that intended to be a rebuke to some of the anti-immigrant rhetoric out there?
What made you think about Daniel Craig for the role of Benoit Blanc? It seems like a departure from James BondYou can tell how much fun he’s having cutting loose and giving this big comic performance. He was very excited to do it. I never write with any actors in mind. You just get your heart broken. I just wrote the character very straight. I gave him a Southern accent to make him a fish out of water. Daniel was top of my list, but I didn’t think he was available.
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