Country music’s popularity is at an all-time high in America, with the genre boasting a more diverse audience base than ever before. But the marginalization of Black performers was once an institutional part of the business. For decades, artists of color in the Nashville-centered music world were largely excluded from popular venues and circuits, and labels divided their releases into records for white audiences and “race records” for nonwhite ones.
He was an older traditional Black fiddle player from North Carolina, and that’s where I got my vibe. I’d play with him for hours and hours and hours.BS: The first time I ever learned about the origins of the banjo was watching you on Nashville. I became obsessed. At that time, Nashville didn’t talk about race. So when I saw you on the show, that was a huge deal for me.
Source: Entertainment Trends (entertainmenttrends.net)
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