Bottle rocket whirs, acoustic guitar, and isolated orchestral instruments shoot off around the deliciously unhurried, Dean Blunt-deep vocals of Nana Acheampong on the quartet’s”) to pitched-up singing. Alongside Evan Ryckebusch on cello and Jack Kelly on synth, band member Nico Fennell leans into his textural, improvisational producer aspirations – inspired by Ryuichi Sakamoto’s compositions, and sampling Ghanaian gospel singer Cecilia Marfo .
The now-New-York-based band keeps local ties through arrangements by Font/stunts’ Anthony Laurence, flittering woodwinds by Felt Out’s Walter Nichols, mastering by Will Clark, and emails by new Mallard PR. With an EP bio funnily stating that the recent UT-Austin grads are now employed,has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene.
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