Michael Tilson Thomas’ concerts with the Los Angeles Philharmonic are not to be missed. They are an inspiring study in resilience. But they are mainly essential for hearing great music.the removal of a brain tumor last summer, returned to Walt Disney Concert Hall for the first time in three years. The audience was strikingly small, Tilson Thomas’ hometown having just reached record numbers of reported COVID-19 cases. But what a difference a week makes.
Tilson Thomas noted that his fascination with the score began at 17. He didn’t mention that he was the quintessential Angeleno prodigy, hungrily taking in all aspects of our émigré musical culture and pop culture. Still, the Berg has never left him alone, he said. He might be gardening, and some little thing in it pops into his head uninvited.
Berlin was at the cusp of war in 1914, when Berg finished the Three Pieces, and they capture that chaos. Their silences contain distilled fury, and Tilson Thomas made incomparably sure that their climaxes, which included the whacks from a mighty hammer, undistilled that fury. The sense of inscrutable tragedy was foretold like no other music of the period. Old World embers still burned, ready to ignite the unknowable future.
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