It’s asking a lot of an audience of a certain age — ahem — to return two nights in a row for one performance. Specifically, a performance of a masterwork so sprawling, its 69 songs must be played in two consecutive shows, 35 songs or so a night. I’m not talking Wagner’s “Ring” cycle. I’m talking an indie act from Boston that, in a Doug Flutie-like Hail Mary for the college-rock-radio ages, released an album 25 years ago of 69 tracks requiring three CDs .
A lot comes out of that unassuming corner of the stage and his flat center-of-the-earth-deep baritone of a voice. He’s not alone, of course: Magnetic lifers — Claudia Gonson , John Woo , Sam Davol , Shirley Simms — rounded out the band, arranged in rows, like a modest orchestra. Merritt described this band as the “original cast” of “69 Love Songs,” and that wasn’t a quip.
But something like “69 Love Songs” requires complete obsessiveness, a live monument to endlessly fretting on a theme.
Merritt, who has admitted “69 Love Songs” sprung from an admiration of Sondheim and composer Charles Ives, originally imagined the album as a theatrical revue of sorts. He has also said the songs are not about love but the semiotics of love songs, the love song as a medium itself.The venue is full for a performance by The Magnetic Fields at Thalia Hall, April 17, 2024, in Chicago.
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