Review: Guest conductor didn’t get the best out of Dallas Symphony

Dallas Symphony Orchestra co-concertmaster Nathan Olson is the soloist with the DSO and guest conductor Simone Young at the Meyerson Symphony Center on April 11, 2024.concert was certainly enthusiastic. But guest conductor Simone Young’s big and rather generalized gestures didn’t get the most disciplined playing from the orchestra.Star of the evening was co-concertmaster Nathan Olson, the brilliant soloist in the Britten concerto.

Musically, the concert presented Wednesday night by cellist Steven Isserlis and Metamorphosis Dallas chamber orchestra was very fine indeed. But non-musical aspects of the evening, sponsored by Texas Cellos, sometimes furrowed a brow.Enrico Lopez-Yanez must make music. Principal conductor of Dallas Symphony Presents, a recent creation that operates alongside the orchestra’s pops series, he grew up traveling from one opera house to another with his father, tenor Jorge Lopez-Yanez.

That third movement outlasts my attention span, but Olson’s performance of the concerto was by turns virtuosic, atmospheric and properly unsettling. Technical challenges were dispatched with utter authority — and musicality. Here and there one could imagine a tauter orchestral collaboration, but it made a good case for the piece.

The Pärt, introduced by quietly funeral bell tollings, explores washes and swirling eddies of strings. A long crescendo leads to a long sustained chord, its release leaving the bell faintly ringing. Even here one could imagine a finer focus to the performance.. The DSO performance stirred up thrilling sounds, and it was refreshing to have a conductor not determined to muffle an organ part.

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