Review: Disney’s Frozen

hasn’t just spawned a cinematic sequel , it’s also covered the land with magic in the touring production of the Broadway show,As the touring production slides into Austin’s Bass Concert Hall as part of the early Summer section of the Broadway in Austin programming, there was no hint of ice anywhere except in the frosés sold in the upper bar.

However, it’s always a tale of two sisters and the love they share, and that’s captured perfectly on stage. Belinda Allyn catches all of Anna’s social awkwardness and excited clumsiness, adding a certain randy charm to her forthright goodheartedness. Meanwhilestage Elsa, a conflicted storm of emotions whose path to accepting herself proves she’s not the monster she fears she is.

Of course, that also demands an excellent young Anna and Elsa for the opening scenes, and there are no concerns there. On Wednesday’s performance, Avelyn Lena Choi personified all of Elsa’s older sister guilt, while Emma Origenes was a burst of raw charisma and fun as Anna. Her selling of “Hang in there, Joan,” provided one of the night’s first real gutbuster laughs.since it was already the most song-heavy of its animated features.

Those changes also allow for a little bit of course-correction. Somewhere along the way, someone at Disney realized that profit-minded shopkeeper Wandering Oaken had become a fan favorite from his tiny scene. Now he’s the host of the quite excellent dinner theatre production “Arendelle: A Frozen Dining Adventure” on the Disney Wish cruise liner.

Not every change is for the better, and ice seller Kristoff seems a slighter character than in the film. Nicholas Edwards is entertaining, but everyone’s favorite square-footed woods-tinkler has lost some of his grumpy, clumpy charm in the transition .Yet the overall show brings exactly the scale of magic, wonder, and fun that may turn a generation of kids into theatregoers.

Broadway In Austin Caroline Bowman Disney's Frozen Frozen

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